Ayushmann and Kunaal in 'Nautanki Saala'Cast: Ayushmann Khurrana, Kunaal Roy Kapur, Pooja Salvi
Direction: Rohan Sippy
Rating: ***
While walking in for ‘Nautanki Saala’ I was wondering what was Rohan
Sippy’s claim to fame; ‘Bluffmaster’ is the only movie on his
filmography that had some recall value. The film essentially worked
because the film’s male leads (Abhishek Bachchan and Riteish Deshmukh)
shared awesome comic timing. Unfortunately, Ayushmann Khurrana and
Kunaal Roy Kapur have no such chemistry in ‘Nautanki Saala’.
Mandar Lele (Kunaal Roy Kapur) is a bumbling idiot - abandoned by the
love of his life, declared a ‘loser’ by his doting grandmother with
nothing more than a few failed suicide attempts to boast of. The thing
is even to play a successful dimwit, you need some kind of character –
imagine Govinda in ‘Partner’. Kunal Roy Kapur is regrettably inept at
playing this role with either style or zest.
Ram Parmar aka RP (Ayushmann Khurrana), the protagonist is a
compulsive do-gooder who is the director and the main lead in the play
‘Raavan Leela’. Except the scene in which Mandar on RP’s insistence is
auditioning for Ram’s role (in Raavan Leela), every time I see the
onstage drama and the playacting, I think of the squandered opportunity.
There was so much potential in these scenes, some witty writing could
have completely turned around the narrative and made it a laughter riot.
I cannot help but think of the Mahabharata scene from ‘Jaane Bhi Do
Yaaro’, which 30 years later, still continues to have the audience in
splits even on repeated viewing.
The romantic track is the weakest in the film and an overdose of
emotional drama just saps the fun out of the story. Also, the female
leads are really disappointing and it’s just difficult to comprehend why
someone as sorted and good-looking as Ayushmann would fall for either
of them. Ayushmann however, puts his heart and soul into this totally
average film and makes it watchable.
It’s a simple story, where our hero tries his best to resolve not
only the crisis in his half-witted friend’s life but also give him new
purpose and objective. But as usual love plays spoilsport jeopardizing
their friendship. However, in Bollywood, love always finds a way to
triumph and set everything right. I just hope that the ride would have
been more enjoyable.
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